Harriet
Rose
Morley

Harriet Rose Morley

Research

Hard Wear Soft Wear

Date

Location

Type

Material

2022-2024

Loughborough University

Commission

Publication

Publication Coming Soon

Publication (Coming soon)

Research

Hard Wear Soft Wear

Date

Location

Type

Material

2022-2024

Loughborough University

Commission

Publication

Publication Coming Soon

Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean. A small river named Duden flows by their place and supplies it with the necessary regelialia. It is a paradisematic country, in which roasted parts of sentences fly into your mouth.

Research

Hard Wear Soft Wear

Research

Hard Wear Soft Wear

Research

Handicraft Commission

Date

Location

Type

Material

2022-2024

Loughborough University

Commission

Publicaiton

Each year LU Arts/Radar invites a contemporary maker, working with different media or materials to develop a project that engages with students and results in a new work that is presented within the campus or town. The residency pays homage to ‘The Handicrafts Unit’, which operated at the University between the 1930s-1950s and employed leading furniture makers Edward Barnsley and Dutch designer Peter Waals to train students in handicrafts, particularly furniture, who then had to produce functional items for different areas of the University. Re-imagining the history of the Handicraft department and the technical based education Loughborough University’s history is built upon, artist and maker Harriet Rose Morley will undertake a new body of work in relation to her ongoing research into ‘Hard Work and Soft Work’.

Unpacking the potential of feminist building and making practices ‘Hard Wear, Soft Wear’, focuses on the pedagogical value of technical spaces in UK Art Schools. Through process of research, design and the fabrication of pieces of workwear ’Hard Wear, Soft Wear’ highlights the various skills and techniques that are being taught or have been lost since the period that the Handicraft course ran at Loughborough University.  Workwear often serves a communal purpose, with one apron or jacket accommodating multiple users, bodies and spaces. Through the means of communal use, often remnants of projects, tools, techniques, notes and drawings accumulate within the fabric serving as evidence of the inherited knowledge and skills acquired within technical learning spaces. 

 'Hard Wear, Soft Wear' focuses and references the history of the Handicraft Department at Loughborough Art College, and incorporates the technical knowledge and skills of current staff members. The crafted workwear provides a new design language within functional pieces created with traces of pedagogical, and passed on knowledge in mind. 

Research

Handicraft Commission

Date

Location

Type

Material

2022-2024

Loughborough University

Commission

Publicaiton

Each year LU Arts/Radar invites a contemporary maker, working with different media or materials to develop a project that engages with students and results in a new work that is presented within the campus or town. The residency pays homage to ‘The Handicrafts Unit’, which operated at the University between the 1930s-1950s and employed leading furniture makers Edward Barnsley and Dutch designer Peter Waals to train students in handicrafts, particularly furniture, who then had to produce functional items for different areas of the University. Re-imagining the history of the Handicraft department and the technical based education Loughborough University’s history is built upon, artist and maker Harriet Rose Morley will undertake a new body of work in relation to her ongoing research into ‘Hard Work and Soft Work’.

Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean. A small river named Duden flows by their place and supplies it with the necessary regelialia. It is a paradisematic country, in which roasted parts of sentences fly into your mouth.

Research

Handicraft Commission

Research

Handicraft Commission

Residency

Health and Safely

Date

Location

Type

Material

August 2024

Lumsden, Scotland

Residency

Ceramics, rope, Metal, Wood,

Health and Safely

Alternative induction to the Scottish Sculpture Residency Site.

Result of a one month Residency at Scottish Scottish Sculpture Workshop

Residency

Health and Safely

Residency

Health and Safely

Exhibition

Hard Work, Soft Work (Tooling the Gate)

Date

Location

Type

Material

May 2023

Den Haag

Exhibition

Scrap metal

MAY.26. – JUL.29.2023
The Balcony, Den Haag

WITH WORKS BY Rinus Van de Velde, Alexis Gautier and Harriet Rose Morley


The gate acts as a tool, instigating dialogues towards process, access, function and use within technical workspaces, exploring the intersection between art and labour, thinking about the hard work (the technical labour involved and learned through building) and the soft work (the relationships built in the making) and the potential of technical craft-based pedagogy, an ode to strength and resilience of workers.

More info here:

Supported by: Mondriaan Fonds, Stroom

Exhibition

Hard Work, Soft Work (Tooling the Gate)

Exhibition

Hard Work, Soft Work (Tooling the Gate)

Workshop

Tools for Intimacy

Date

Location

Type

Material

September 2023/2024

Den Haag

Workshop

Scrap Metal

Welding Workshop

iii, Den Haag 2023/2024

Tools for intimacy
How can we use principles of feminist design education to develop tools of collective intimacy? This workshop aims to create an accessible technical work space, using principles of collaboration, and exploring the intimate process of making together  to create better material learning environments.

In this workshop, we will explore the potential of simple but effective metal working methods such as bending, rolling, welding. Through these techniques, we will collaboratively create objects, tools, structures which, through the process of their making, explore methods of facilitating intimacy, collaborative growth and familiarity with the rest of the group members.

Working as a full group and in pairs, this two day workshop will combine practical metalworking techniques including; grinding, welding, bending, rolling with activities exploring the process of working and making together. We will be employing collaborative learning methods throughout the process.

The physical outcome of the workshop is dependent on the participants design choices. Examples of potential directions will be offered at the start of the workshop. We will be using either stick welding or mig welding.

No metal work experience required, just an openness to learn together;

This workshop is open to all, but we would like to make room especially for people who would otherwise not feel comfortable in technical workshop spaces.


Workshop

Tools for Intimacy

Workshop

Tools for Intimacy

Exhbition

Hard Work, Soft Work

Date

Location

Type

Material

18 March 2023

Utrecht

Exhibition

Wood, Metal, Audio

Hard Work, Soft Work

As part of the HKU MAFA graduation exhibition

Content

Exhbition

Hard Work, Soft Work

Exhbition

Hard Work, Soft Work